After 6 months of pre-production: camera tests, trial scenes, script re-writes, readings, set-building and (of course) fund raising – then another 3 months of actual production – we now have all the principal photography completed for the Twilight Angel.
Fittingly enough, some of the last scenes we shot were the rare exterior scenes of the film and they were done in locations that are quite amazing. After weeks of shooing “noir” in our little studio, the expansive dunes in southern New Mexico created the most striking contrast.
The space and the light were perfect for the reverie of the scene we called “AWOL.” I won’t divulge the details of that part of the film, but I’m sure you can get it’s essence.
We had timed the shoot to follow a trip to Tucson for a gallery opening of Linda Leslie’s paintings at Jane Hamilton Fine Art. Our Exec. Producer Julie Schumer’s paintings are also at that gallery, so it was a natural field trip for the core crew.
It felt like a celebration of the completion of this phase of the movie. Day-in and day-out James has done a tremendous job of performing this heart-felt story. We’ve worked hard to capture that narrative in a way that we all feel is visually appealing and does justice to the subject and the art.
Of course, the art is the subject… because it is inseparable from the story of the artist – and vice-versa.
Keeping that in mind, we go into post-production: the editing, animation and sound design that glues it all together. I love this part as much as the photography… maybe even more so. For me editing IS storytelling. It is an artform unto itself.
As I ardently prepare for many hours at the editing workstation assembling and shaping this film, I’ll remember the openness, the space, the light of the dunes and how for me that symbolized the freedom to create this movie, to put something beautifully true into the world, to hope that it touches somebody and that it resonates something in them.